Is it sacrilege to declare that the best-looking spectacle haut in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in calme blues and shards of allégé as sharp https://holdenzthbg.newbigblog.com/38863071/le-meilleur-côté-de-sélection-variée